Andrea Heller (b. 1975, CH) makes works on paper as well as ceramic, plaster and glass objects, in which a world of fragile landscapes, associative traces and anthropomorphic hybrid creatures unfolds. In her works on paper soft colour gradations in watercolour and ink develop into cristalline objects and forms, that oscillate between different scales – diffuse and hard, attractive and uncanny. At the same time the artist examines systems, sequences and orders. This becomes particularly clear in her large scale drawings as well as in a new series of paintings on textile. The artist, who lives and works in Biel, has conceived the work L’Endroit de l’envers (2019) especially for this exhibition. The painted, wooden structure reaches almost to the ceiling of the approximately 6m high Salle Poma. Reflecting the conditions of our environment, Andrea Heller focuses on aspects such as deconstruction, instability and changeableness, creating an installation which fills the space and can be experienced in a number of ways.