In Emma Talbot’s (b. 1969, GB) work across several mediums drawing is always the starting point for her explorations of some of the most urgent questions of our time, from feminist theory and psychoanalysis to ecopolitics and the natural environment and our shifting relationships to technology, language and communication. Her radiant painted silk hangings and the related animations recall both dream diary and automatic drawing, often connecting word and image to express the lyricism and the pain of subjectivity. Incorporating her own writing as well as references to other literary and poetic sources, Talbot combines painted text, figurative depiction, mark-making and pattern. Her most recent three-dimensional pieces are constructed by hand through simple techniques, such as papier-mâché and stitched soft forms. For this exhibition, when our world is more uncertain than ever, Talbot interweaves the aftermath of the crash of our systems and interpretations of wild and impressive landscapes. These are stories of reconnection with ancient mythology and holistic ways of crafting, making and belonging to survive – all conveyed through a group of keening women.